Untitled Document
Commissions: Dale Chihuly, Bridge of Glass
Angela Melkisethian
Sculpture
December 2002
Dale Chihuly's Bridge of Glass debuted on July 6, 2002 in
conjunction with the opening of the Museum of Glass:
International Center for Contemporary Art. The artwork
for the bridge, Chihuly's largest public display, was
commissioned by the museum, which donated the installations
to the City of Tacoma. In the planning stages since 1993,
Bridge of Glass is seen as a source of revitalization
for the industrial downtown area. The 500-foot pedestrian
bridge arches over Interstate 705, connecting Tacoma's
Union Station and the Washington State History Museum
to the Museum of Glass located on the waterfront. "I
hope it offers the people a public space downtown they
can use and enjoy," says Chihuly, who has referred
to the bridge as "a gateway to the city."
The actual structure of the bridge is not glass, but concrete
and painted steel. Chihuly selected the Austin-based
architecture firm Andersson-Wise in 1994 to help develop
the design concept. The bridge was designed not to compete
with the artworks, but to provide a neutral backdrop. "Aesthetically,
it was important that these pavilions [of the bridge]
became the frame, not the picture of the bridge," says
architect Arthur Andersson.
Three separate pavilions incorporate Chihuly's Seaform Pavilion,
Venetian Wall, and Crystal Towers. The Towers, which
rise 40 feet above the bridge, are the most visible from
a distance. They are made from a glass-like substance
Chihuly calls polyvitro, a polyurethane material better
suited to the outdoor elements than glass itself. The
hollow blue crystals, some reaching five feet, reflect
light just like glass. The other installations require
closer inspection. Seaform Pavilion is an enclosed installation
formed of over 2,000
"cones, flasks, and roundels" encased in a 50-by-20-foot
plate glass ceiling. Chihuly took inspiration from the color
and organic variety of the sea floor. The second enclosed
pavilion, Venetian Wall, consists of a series of 110 glass
cases each containing a blown-glass sculpture. At night the
cases and pavilions are illuminated by specially designed
fiber-optic lighting systems.
CHIHULY BRIDGE OF GLASS