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Venetians

Venetians

Silvered Paprika Piccolo Venetian with Citron Green Curls, 1999, 14 x 4 x 4"  Inquire

An eclectic take on classics

An unlikely marriage of formality and unrestrained exuberance, Venetians began as an experiment by Chihuly and Italian maestro glassblower Lino Tagliapietra. At the core of the Venetians is a classical vessel, with wildly flamboyant attachments like snaky handles, leaves, and twisted coils and ribbons.

Dale Chihuly, Silvered Aqua Venetian with Roseberry Flowers, 2014

Silvered Aqua Venetian with Roseberry Flowers, 2014, 17 x 15 x 17"
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Dale Chihuly, Gold Venetian with Leaves and Indigo Coils, 2010

Gold Venetian with Leaves and Indigo Coils, 2010, 43 x 12 x 11"
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Dale Chihuly, Silvered Venetian with Sawteeth and Climbing Lilies, 2009

Silvered Venetian with Sawteeth and Climbing Lilies, 2009, 29 x 15 x 16"
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Dale Chihuly, Cassel Yellow Venetian with Gilded Lapis Lazuli Leaves, 2002

Cassel Yellow Venetian with Gilded Lapis Lazuli Leaves, 2002, 30 x 16 x 15"
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Dale Chihuly, Gold Venetian with Autumn Flowers, 2011

Gold Venetian with Autumn Flowers, 2011, 30 x 14 x 14"
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SEE THE PROCESS

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“I started the series with the simple idea of replicating these strange Art Deco vases, but I hoped that it would go somewhere else, somewhere bizarre.”

–CHIHULY

Martin Blank, Lino Tagliapietra, Chihuly, and Benjamin Moore, Van de Kamp Building, Seattle, 1988

Tradition with a twist

Inspired by Italian glass of the Art Deco period, Chihuly teamed up with Italian maestro glassblower Lino Tagliapietra. He wanted to take traditional methods to another level, seeing what serendipity might come with the addition of free-spirited spontaneity.

Dale Chihuly, California College of Arts and Crafts, Oakland, California, 1989

Daydreaming on paper

Chihuly typically drew what he wanted Tagliapietra to create, starting with watercolor and graphite sketches of classical forms with several handles. When he switched to charcoal, the drawings became bolder and the pieces more extreme: “Handles changed to knots, prunts became claws, colors went from subtle to bright, and forms from symmetrical to asymmetrical.”

Dale Chihuly, Silvered Copper Streaked Piccolo Venetian with Bows, 1997

Silvered Copper Streaked Piccolo Venetian with Bows, 1997, 11 x 11 x 5"
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Dale Chihuly, Forest Green Piccolo Venetian with Brown Leaf and Coils, 1999

Forest Green Piccolo Venetian with Brown Leaf and Coils, 1999, 19 x 4 x 4"
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SEE THE PROCESS: PICCOLO VENETIANS

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